Articles
Multiple Ruts PDF Print E-mail
Written by Rhonda   
Wednesday, 14 October 2009 18:25

I had a whole article written and ready to go - in long hand, and left in another folder. Of course. It's been an eventful week. My computer's hard drive failed on a spectacular level. This is the first time I've written anything on my laptop in a week. Gotta love Real Life, right? So, my computer has a new "heart". I went to the writer's workshop put on by David Wolverton this weekend, and that's where I'm going with this besides this one big thing. BACK UP EARLY AND OFTEN. I haven't lost much data, but I have lost some. That's never a Good Thing.

 

So, the writer's workshop. Why did I go? There's always something to learn. Did I? Yes. There's always a tip or something - if the person teaching the workshop has more experience than you - that you haven't heard before. The Wolverton workshop also talked quite a bit about business and income streams for authors. That was cool, and that's where this article comes into play. Wolverton's advice - write within your "rut" - or voice - but to develop multiple "ruts".


With screenplays, it's okay to write across genres. The more the better. It shows Hollywood you have "range" and mad writing skillz. However, in fiction, it's a bit more difficult to cross genres because of Book Scan. His point is this - what are good book sale and print run numbers in one genre may not be good numbers in another genre. This is one reason why authors create pseudonyms when writing in other genres - if they're "smaller" writers than say, James Patterson, Nora Roberts, or Stephen King. BUT… it's possible to maintain your identity in multiple ruts within genres.

 

Writers like David Wolverton, who writes "fat fantasy" under David Farland has done this. Rachel Caine has very successfully done this. Both write fantasy in adult-reader fantasy and young-adult fantasy. Both stay in their genres and voices but with different effects. Wolverton's Young Adult fantasy books are more humorous and grow to more serious to then move his younger readers into older readers. Caine has taken her weather warden adventures, and gone vampire, but still - her Morganville readers can then find familiar tone/style/adventure with the Wardens as they grow up and look for more things to read.

 

These multiple ruts can help you show range while not jeopardizing your sales. They allow you to develop other worlds and characters while building audiences which can cross over to other lines and genres.  All the while allowing you as a writer to keep your worlds, plots, and stories fresh. So, for once, "rut" doesn't have to be a bad word. 

 

The key to working in multiple ruts is to work. Ruts don't occur from wishing and thinking, but by persistently working and putting in the time. If you want to work in multiple ruts, you must first do the work.  So, less talking, more doing. Here we go.

 
Writers Workshops, The Universe, and Writers PDF Print E-mail
Written by Rhonda   
Wednesday, 07 October 2009 19:00

If you're a writer, then there's one hard lesson to learn - the Universe likes to mess with writers. The universe is your friend like Puck or Loki or any other Trickster is. Just when you think you have all your ducks in a row and things are going well, look out. You end up with a week where your elderly cat scares the crap out of you and changes your routine forever, your computer decides to throw a catatonic fit while you're writing an article, your current favorite pen dies and doesn't take the refills you have on hand, and your mom calls to tell you she's broken her leg. Fun huh?

 

That's where really quick and random articles come from. Real life not only inspires great writing, it also conspires against it.  So, in that vane, let's have a really random article this week - and see if I can cause another computer to go into a catatonic fit in only a few hours...

 

Writers Workshops. I'm going to one this weekend (don't worry, it's low-tech). This weekend, I'll be attending David Farland's writing workshop. It's here in Dallas, but he holds them across the country several times a year. I found out about this one at SoonerCon in June and it resonated with me. I'll probably do a review of it next week since it's "a two-day seminar for anyone who has ever wanted to write a novel or make a living as a writer." I'm treating like some of my artist friends do their master's classes. I have stuff to learn. I have a lot to learn. Still and forever. And David Farland has the publishing credits to make it credible and worthwhile. That's the key to picking workshops, check out the instructor(s). If you have more publishing history than the instructor, maybe going isn't worth your money.

 

This one is a two-day seminar. That's cool. I'm still a bit gun shy on writers groups, but open to them if the right opportunity presents itself. I haven't been in one in a while. Those are even more subjective when choosing one than going to a workshop.

 

Anyway, I'm looking forward to this workshop and getting to hear David Farland teach. I didn't get to interact with him much at Soonercon, but it was enough to know that this workshop would be a good idea. So that's what I'm doing this weekend. Around trying to get words on page despite the universe's "Kick Me" sign I'm currently wearing.

 

That's the point of being a writer, to laugh in the face of "kick me" signs and still want to need to write.  Perhaps next week there will be another internet kerfuffle for me to write about, though I do rather prefer these nice quiet weeks - relatively speaking - where there's no shouting, mayhem, or MUST READ things happening. Maybe that means we're all writing. Or trying to get the "kick me" sign off. I swear the universe uses extra sticky duct tape...
 
Just Because You Can Doesn't Mean You Should PDF Print E-mail
Written by Rhonda   
Wednesday, 30 September 2009 02:36

Lately there's been quite a bit of chatter online about what not to do as what to do with your online presence. Many times, as with Standard Manuscript Format, some of the information is … contradictory. Leading to many new writers wondering which piece of advice they should follow. Guess what? Welcome to the wonderful world of publishing where everything and nothing changes - seemingly randomly.

 

So what's a new writer - or even an established writer to do? The Good Rule of Thumb? Just because something can be done doesn't mean it should be done. Take a look around you, if you see something going on that annoys you? Don't do it yourself. If there's something that seems right incorporate that strategy judiciously. Keep in mind is something annoys you no matter how right it may seem, it will probably annoy your readers/followers.

 

This applies mostly to online presences - but also to personal appearances - especially now that social networks are all the rage. Most Wondrous Techno-Gurus have made it possible for writers to wallow in their inherent laziness and call it efficiency by creating features and functions that allow us to automate posts, cross-post across platforms, and generally even schedule things to post when we're not around all with a touch of a button.  With these nifty new features, it's way too easy to cross the line between effective marketing and Sleazy Used Car Salesman. Just because you can doesn't mean you SHOULD. No one likes a hard sell, and seeing the same pitch post three times a day because of an auto-poster has that new SPAM smell all over it. It won't get you sales. It'll get you blocked.

 

The other end of the spectrum is "Less is More". There have been discussions in the past few weeks about publishers and editors checking out potential authors online to see what kind of presence they have and what they're saying before making a decision to sign them or not. This applies to social networks as well as blogs. Again, there's no hard/fast rule of what they're looking for, hence the discussion. However, this is where ONLINE PROFESSIONALISM comes into play, and keeping professionalism in mind when you're talking about anything - including you life. Just because you CAN doesn't mean you SHOULD.

 

Yes, stuff happens in life. Major life issues. Health issues. Family issues. Crap hits fans. There are books and movies we love and hate equally passionately. However, we must keep in mind TMI. If your life issues are making your writing challenging, comment on it but don't go overboard on how much it sucks to be a writer. If you really hated a book, don't threaten the author, editor, AND publisher. Every detail of your family life probably isn't something you want random fans to know about. Fans want to know about authors. Publishers and Editors want to know about authors. You can tell a lot about someone by the tone of their posts. If you're not approachable online, you're not going to be approached in person. That WILL translate to sales. Just think before you type. Just because you can doesn't mean you should.

 

So much of making it as a writer comes down to this endangered species known as Common Sense. Thinking before we post. Thinking before we send the 12th copy of the same Tweet. And if you need a mantra it's this - just because you can doesn't mean you should.

 
Conventions Inspire Creativity PDF Print E-mail
Written by Rhonda   
Wednesday, 23 September 2009 18:35

FenCon is one of my most exciting and exhausting conventions of the year. I pull double duty here - as Guest of Honor Liaison and as Writer-Chick. It also turns out to be one of the more inspiring conventions. However, it will probably be days before I can fully commit to some of the ideas swirling around in my brain.

 

That doesn't mean I will let them go, though. Or any of the inspirational energy that comes from spending time around other creative types. It's normal to be completely wiped out after a convention - in fact, if you're not, you were doing something wrong at the convention.  As long as you do something to keep up the momentum.

 

I, for instance, am not only trying to recover and doing my day job (which is a lot of writing - just not FUN writing), but I’m editing a couple of projects that I want to get out into the universe.  Though editing is not nearly as sexy as pursuing brand new ideas, it's just as vital and important. The key to this whole thing is momentum. Not letting the physical exhaustion totally get in the way. You don't have to do marathon writing stretches (unless you have a deadline in which someone's paying you money), but keep doing something.

 

Don't let what others are doing derail you through guilt or unrealistic expectations. I almost fell into that trap myself, watching some of my (bigger name) writer friends pounding away at keyboards during FenCon. Until one of them reminded me that he not only had said deadline, but was only doing one job at the convention (Special Guest, but still) while I was doing two jobs and running around like an idiot.

 

Perspective and realistic expectations. They're amazing for moments of clarity. Now, here I am, doing what needs to be done within the parameters of what I'm physically able to do. I'm keeping the momentum of the convention - which invariably makes me want to go out and take on the publishing world - within the parameters of what I'm able to do which right now is editing/reworking some older stories while the plot bunnies run around and breed in my head. Hopefully, they'll be ready to go when I'm no longer staggering through my day - not that plot bunnies are known for their cooperative powers.

 

That's how I'm learning to harness the inspirational qualities of a convention while dealing with the fact I'm not 20 anymore with boundless energy. It's all about perspective. Editing can be done while sitting on the couch or during shortened lunches while making up time, and doesn't take away from the creative flow. It's all part of the creative circle of life.

 
Just Say No - It's Okay PDF Print E-mail
Written by Rhonda   
Tuesday, 15 September 2009 18:30

I'm running on empty for the next couple of weeks. This week is the lead in to FenCon, and next week I'll be recovering from FenCon. FenCon is an amazing fan-run Science Fiction convention in Dallas this weekend. We have an incredible line up of guests. If you're in the area, please come.  It's an exhausting convention for me because not only do I "do time" as a panelist/regional author, I'm also on staff. I am the Guest of Honor Guest Liaison. It's a fun gig, but can also be hectic and stressful, but someone's got to pick up people like Lois McMaster Bujold from the airport. Right?

 

Anyway, so this week's column is a rehash of what's going on around the internet. It started out with Josh Olson's widely spread and F-Word Rich Rant about why he wouldn't read someone's script. It start off with him looking like a complete jerk, but the point is valid. Which is what John Scalzi says in his post on Tuesday, but in less… evocative… terms. And it's a lesson I need to learn - the art of saying, "NO."

 

You see, most writers are glad to help out new writers - within reason. Most writers are grateful to have fans - within reason. It's when the new writers and fans start feeling entitled to the writer and his/her life where things go horribly askew. And guess what, it's really okay to say, "No."  And I'm saying this to myself as much as anyone. I've let myself get backed into corners and guilted into reading stuff I didn't have time for.


Guess what? The points are all correct. Most who ask the Bigger Fish to read something? Have that reality check first. You ask someone to read something, you're going to get an honest opinion. Most of the time it's not going to be, "You're brilliant. I'm going to kill myself now because I will never be as good as you are at this moment."

 

If you're lucky enough to know/meet someone in television? Don't ask them to submit your idea/script/whatever to their producers. It'll just get them fired. Most production companies can't look at stuff like that for legal reasons. Because they don't want to get sued by the stereotypical nut job who sees elements of some idea he had in someone else's script and sues the production company.

 

So, bottom line… it's convention time. Go. Talk to your favorite author or artist. Just don't be jerk. Respect the professional's time and talents. Learn the industry. And who knows, maybe they'll ask you to read something of yours. And if you're someone's who's approached? Just say NO!

 
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